Captured with the main wide lens (left) and ultrawide (right), with the help of Camera Coach.
The question is whether any DRM serves ASMRtists well. Their audience is, by and large, not composed of sophisticated reverse engineers. The people who appreciate their work enough to want offline copies are, in many cases, their most dedicated fans. The kind who would also pay for a Patreon tier if one were offered. The people who would pirate the content regardless are not meaningfully slowed down by JavaScript DRM; they simply won’t bother and will move on to freely available content or… hunt down extensions that do the trick, I suppose.
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